Episodes 63 - 70
Airdates: Sept. 21 - 30, 1966
THE PLOT
Matthew Morgan, the Collins' manservant, decides he's going to settle the trouble with Burke himself - violently. His assault on Burke has the opposite effect of the one intended, though, leading Burke to an angry confrontation with Roger at Collinwood. When the direct approach fails to win him any results, Burke conspires to use other methods to prove a connection between the Collins family and the death of Bill Malloy, enlisting the aid of Bill's grieving housekeeper (Clarice Blackburn).
Burke isn't the only one investigating. Though Sherriff Patterson (Dana Elcar)'s words indicate that he's leaning toward a verdict of "accidental drowning," he seems progressively more inclined to at least consider foul play. And when Vicki reluctantly supports Roger's loose alibi, the sherriff's suspicions fall on the only other likely suspect: Sam Evans - who took a suspiciously long time to make the short journey from his house to the cannery...
THOUGHTS
This disc gets off to a bad start with Episode 63, which is an important episode in that it really kick-starts Matthew's threats against Burke... but is unfortunately a deadly dull 20 minutes. Episodes 64 and 65 are better, but feel "off" somehow, with almost all of the actors seeming to struggle to get through their lines. Matthew's assault on Burke, and the exchange leading up to it, suffer from weak staging and unusually stilted acting from two of the series' more reliable thesps.
Things pick up again after that point. Episode 66 sees the performers back on form, and the momentum begins to build again. That momentum continues through most of the rest of the disc, and by Episode 67, I found myself once again gripped by the proceedings. Even so, certain repetitive interactions, notably involving Caroline simpering about how "Burke couldn't have done/said this," or "Uncle Roger wouldn't do such a thing," are progressively wearing thin enough to make me want to reach into the screen and throttle the stupid girl - who continues to be played by an actress whose work is far better than the often idiotic character she's been given to portray.
Cast & Characters
Speaking of actresses who are better than their material, I haven't yet said much in these reviews about Kathryn Leigh Scott. Episode 67 sees some excellent scenes for Maggie, who in rapid sequence has varied interactions with Carolyn, Burke, Sam, and Sherriff Patterson. Scott handles the shifting dynamics of these scenes superbly. Maggie is frosty to Burke, but commiserates with Carolyn about being unable to hate Burke no matter how much she feels she should. She is defiant to the sherriff, but playful and empathetic with her father. After her sympathetic but slightly sad, "You don't mind if I don't believe you?" to her father, I actually paused the disc to observe aloud to myself how much better Kathryn Leigh Scott is than the near-nothing she's been given to work with up to this point. I only hope the writers and producers noticed, and that she will get more and better material in the future.
Joan Bennett gets a plum bit in Episode 65, though. As Burke comes to Collinwood, spoiling for a fight as he insists on waiting for Roger, Liz abandons her efforts to force him to leave. She changes tactics, instead being excessively pleasant, offering him tea, ushering Vicki the room to "entertain" him. As she leaves to prepare the tea, Vicki demands to know what Burke thinks he's doing here. "I'm not so sure myself," a chagrined Burke replies. "I think I'm having tea."
Liz's attempt to disarm Burke with courtesy is a much better effort at dealing with Burke than either Roger's (largely impotent) bluster or Matthew's threats. Burke Devlin has been established as a character who does not respond well to intimidation. Matthew's threat to kill him, and his physical assault, actually spur Burke to going to Collinwood on this disc - something which probably would not have happened otherwise. As with his pushing Bill's body back into the water, Matthew's actions here may be intended to help the Collins family, but they are actually having the opposite effect.
Finally, the episodes on this disc are notable for introducing a new character, who seems set to become a major one at least in the short term: Clarice Blackburn's Mrs. Johnson, whose grief over Bill's death provides Burke with an unexpected opportunity. Blackburn's big scene opposite Mitchell Ryan in Episode 69 is well-played by both actors, though the character is still too new to really judge as yet.
Gaffe of the Week
There are a number of amusing little gaffes in Episode 65. A painfully visible boom shadow takes up about a quarter of the frame for several seconds. Later, Joan Bennett stumbles over her lines, referring to Burke as "Roger." Instead of just proceeding with the line reading, she makes matters infinitely worse, calling attention to the gaffe by backing up - several words later - to correct her mistake. This is fair recompense for Mitchell Ryan's stumble early in the episode, in which he forgets his line in the midst of giving a forceful speech, and flails around blindly for several seconds before recapturing the gist of his monologue.
Episode 66 has fewer botched lines, but one very noticeable technical gaffe. Near the end of the episode, a camera is apparently jostled, prompting a premature cut to another camera, which has to make a fast (very awkward-looking) move to get into position.
Final Note
The Gothic atmosphere that was so striking in the early episodes sees a welcome return in the final episode of this disc. Episode 70 - the closing episode of this disc, and of The Beginning: Collection Two - introduces us to "the old house," the original Collinwood estate. The film sequences that show Vicki and David walking to the estate, then out again, are surprisingly effective. Even the graininess of the film stock is an asset, creating a murky and otherworldly feel as the ghost of Josette Collins makes her first (but presumably not last) appearance.
Previous: Episodes 54 - 62
Next: Episodes 71 - 79 (not yet reviewed)
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Wonderful reviews! I'm so glad you're continuing to do these. I enjoy reading your thoughts so much.
ReplyDeleteDon't worry, Kathryn Leigh Scott and Nancy Barrett have some juicy roles awaiting them.
ReplyDeleteI found my way over here from your Star Trek reviews since Dark Shadows is another series I've seen quite a bit of (probably 80%, missing odd stretches in the middle due to television/video viewings at different times and locations). I'm glad to know that you're enjoying the early episodes but I think it's important to note that these episodes were completely skipped in the original syndication package, the VHS release and even the original DVD release. The normal starting point is where the vampire Barnabas Collins appears, around episode 210.
It would be a shame, however, if these early, creaky episodes you're watching were to deter you from getting to the point where it gets good (the ghosts get active), then great (Barnabas "cousin from England" Collins shows up), then completely off the hook and hums at a feverish pitch for hundreds upon hundreds of episodes in the present/past/parallel time (and, briefly, 1995!) with the same troupe of fearless actors -- the show was always live-to-tape, remember -- playing their own ancestors and other colorful characters in those various time periods. Still to make an appearance include Jonathon Frid (Barnabas Collins), the effervescent Grayson Hall (Dr. Julia Hoffman, Countess Natalie DuPres, gypsy Magda Rakosi), Lara Parker (Angelique, the witch you love to hate), Humbert Allen Astredo (Nicholas Blair, warlock), Jerry Lacy (lawyer Tony Peterson, and witch-hunter Rev. Trask!), David Selby (Quentin Collins, ghost and living) and Kate Jackson (another ghost).
The first 210 episodes were actually the last group of episodes I saw. After the DVDs were released I got somebody's complete VHS set of them from eBay, 40-odd tapes for next to nothing. I was able to get through them very quickly since I was willing to give them a lot of slack because I knew what was to come. They do, however, contain a lot of character material that is referred to later so watching in sequence will eventually pay dividends.