Showing posts with label Carolyn Stoddard. Show all posts
Showing posts with label Carolyn Stoddard. Show all posts

Sunday, December 26, 2010

The Beginning, Collection Two - Disc 2

Episodes 45 - 53

Airdates: August 26 - Sept. 7, 1966


THE PLOT

Bill Malloy meets with Burke once more, to offer him Roger Collins "on a silver platter," in exchange for Burke's promise to stop his move against the rest of the Collins family. He tells Burke to meet him at Roger's office at eleven o'clock that night, at which time Malloy will play his "hole card," to wrap up the entire sordid mess in one go.

However, Malloy forgot a certain saying about the best-laid plans. Before the night is through, there will be a death in Collinsport!


THOUGHTS

Though there a few episodes of pure filler (Episode 48 being a particular offender), this disc is mostly engrossing. There was nothing really compelling me to watch more than one episode at a time, and it took me a few weeks to watch my way through it. But with rare exceptions, every time I sat down to watch an episode, my attention was held.

In my last review, I observed that some of the Gothic atmosphere was creeping back into the show. That continues with this disc. The episodes set at the house have quite a bit of atmosphere, with the shows set during the night in which Caroline and Vicki see the dead body having some effectively eerie moments.

Cast & Characters

One thought regarding the other characters' reactions to David.  Of course, David genuinely is a despicable little monster at this point in the series.  But when he complains that his father hates him, everyone rejects that as ridiculous... no matter how many times we directly see Roger expressing his loathing for David!  It's not exactly helping David to pretend to him that his father feels differently.  David knows better, and he knows that Vicki and Elizabeth know better.  So every time Vicki or Elizabeth tell the boy that his father doesn't hate him, they're only proving to David that they can't be trusted to tell him the truth.  Vicki is, incidentally, an appallingly bad teacher from the glimpses we get of her teaching David his "lessons."  Reciting facts to a child from a book is a sure way to make that child tune out.  It's certainly no way to make him learn.  And any time he happens to get interested ("Could you transport a dead body down a river?"), Vicki shuts him down - rather than follow up on that interest.  Sure, transporting a dead body is ghoulish.  But if David's interested in that example, then it's a valid example to use within a legitimate lesson. 

Moving away from Vicki and David to characters who are actually interesting, let's turn our attention to Bill Malloy.  Frank Schofield is terrific as Malloy bullies, cajoles, and threatens Roger and Sam to make sure that they come to his meeting. The ever-steady Schofield has done a fantastic job from his first appearance at portraying a man whose loyalty to the Collins family, specifically Elizabeth, is so strong that he is willing to sacrifice just about anything for their interests. He lays it out for Roger that, as he sees it, the choice is between Roger's welfare and the family's. To see the previously taciturn, unflappable Malloy practically spitting and growling at Roger and Sam is very effective, and Schofield's performance is a big part of what makes it work so well.

Schofield makes a strong impression, which helps to sell it when Elizabeth labels Malloy "the most reliable man (she's) ever known." Roger remains far from reliable - and for a character who's basically the villain of the piece, he remains a largely stupid villain. He tells lies that are easily penetrated, insists on calling and visiting Sam while at the same time insisting to Sam that it's important they not be seen together (um, step one genius - Stop spending so much time around him), and ping-pongs between icy cool and irrational outbursts. Despite his campier tendencies, Louis Edmonds actually is doing a fine job of playing Roger, and even at investing Roger with intelligence on a scene-by-scene basis. But the character, as written, makes too many contradictory and downright stupid decisions to come across as anything but a moron by this point.


Final Note

Though the series is not hooking me the way it was in Discs 2 and 3 of the first collection, it does continue to be enjoyable. I'm only sitting down to it here and there, as is obvious from the rate of these reviews - two to three episodes per week seems to have settled into being the average. But when I watch it, I usually enjoy it, often enough to carry me through the occasional episode of dull filler. The increasing atmosphere is a good sign, and the disappearance and evident demise of one of the major supporting players seems likely to make for some intriguing plot turns as the show moves forward.


Previous: Episodes 36 - 44
Next: Episodes 54 - 62


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Sunday, November 7, 2010

The Beginning, Collection Two - Disc 1

Episodes 36 - 44

Airdates: August 15 - 25, 1966


THE PLOT

Burke continues investigating the Collins holdings, and it isn't long before his inquiries are noticed by Elizabeth Collins' loyal fleet manager, Bill Malloy. He reports to Elizabeth, telling her that Burke is not only looking into her business holdings, but everything she owns. When Liz admits to him that she is genuinely worried, Bill decides to take matters into his own hands. He arranges to meet with Burke. But he isn't there to threaten him. He offers Burke a deal. Leave the innocent members of the Collins family alone, and he will do everything in his power to clear Burke's name.

Meanwhile, the issue with David now settled, Roger's paranoia about Burke returns full force. He pressures Sam to refuse a hefty commission to paint Burke's portrait. When Sam is unable to back out of the deal, Roger pressures him again, this time to leave town. When bullying escalates to threatening, Sam finally decides that it might be time for some action on his part...


THOUGHTS

The first part of this disc was very slow going for me. Episodes 36 - 38 reinforced my impression from the previous disc: That with the resolution of the bleeder valve subplot, the show didn't quite seem to know where to go next. I started to become rather bored with the series, and it began feeling like a job to put the disc in to watch an episode. Look back at my reviews of Collection One, Discs Two and Three - the show had me, really had me. Not very far into this disc, it almost lost me again.

In the second half of this disc, it caught my attention again. The Roger/Sam material went from tedious wheel-spinning to suddenly rather interesting, as Sam finally realized that it's he, and not Roger, who has the upper hand in this situation (he promptly forgets that again in the next episode, but it's still interesting). Bill Malloy's investigation was an interesting and unexpected new turn for the story, and after a week or so of forcing myself to watch one episode every 3 - 4 days, I suddenly downed two episodes in one sitting for the first time since Burke found the bleeder valve in his sofa cushion.


Cast & Characters

I think David Ford will be just fine as Sam. I still prefer Mark Allen's version, if only because he did a better job of showing a truly haunted man. David Ford seems to struggle more with that aspect of the character. He's very good when Sam is easygoing, but his performance dips into forced tics when Sam is under stress. Still, he's doing fine in the role, and I'm sure after another couple of discs I will stop mentally recasting his scenes with Mark Allen.

Roger Collins... He isn't very bright, is he? He desperately doesn't want Burke connecting him and Sam. So what does he do? Runs to Sam every chance he gets to pressure him into altering his agreement to paint Burke's portrait, including at least one meeting in public! He's like a cartoon evil mastermind, coming up with plans that seem designed to guarantee his own downfall.

The best character scene on the disc comes in Episode 39... not coincidentally, the episode that got me actually wanting to watch again after several episodes of tedium. The meeting between Burke and Bill is a scene that works on almost every level. It is not a long scene - just a couple of minutes on each side of a commercial break. That fits with the two characters, both of whom are what would be termed "serious men." Bill brushes aside Burke's mask of easygoing small-talk and gets straight to the point. Recognizing the situation, Burke drops the act and meets Bill on his own terms. The result is an excellent scene, very well-played by arguably the series' two best actors.

Episode 40 sees Malloy showing a more ruthless side. He faces down Roger unblinkingly, in a very entertaining scene. But when he questions Sam one-on-one, he begins plying the man with drink. He even says a couple of deliberately unpleasant things to make Sam drink harder, to make his tongue looser. It's effective, but it does cast Malloy in a more unlikable light than had previously been the case. Frank Schofield is excellent as ever, and he manages to show this darker edge to Malloy in a way that feels fully consistent with the character we've been watching all along.


Recasting of the Week

Wow, two discs and two characters recast. At this rate, they'll overturn the entire supporting cast by Disc Eight!

Thayer David takes over the role of Matthew Morgan, and the credits announcer doesn't even blink for him. In fairness, Matthew's role is much smaller than Sam's, with George Mitchell only having racked up three appearances in the preceding 30+ episodes, so it's not as though David has to replace someone who had a chance to really make much of an impression. I suppose if Matthew is meant to be intimidating, burly Thayer David is considerably more dangerous-looking than thin and wiry George Mitchell was. In terms of performance, there isn't much to judge as yet, though he seems as capable an actor as his predecessor.


Gaffe of the Week

Episode 44 ends the disc on a high note, with things definitely happening at an accelerating rate. This episode also sees an appearance by the Collins banker, played by Patrick McVey. Hopefully this will be a one-off appearance, because McVey garbles every other line, stammering and tripping over his own tongue, and seeming to throw off the other actors too. The impression of a grand gaffe is sealed when Joan Bennett leaves the room temporarily and has to struggle with a wobbly door to close it.


Final Note

Though the wheel-spinning episodes just about had me ready to give up on the series, the last 4 - 5 episodes on this disc rekindled my interest. I doubt I'll go back to downing a disc a week, but now that events are actually in motion again, there's probably little chance of my giving up. I'm sure there will be some other rough patches like the one spanning the end of the last disc and the beginning of this one, but it is at least encouraging to know that the series can pull itself out of those patches and go back to delivering some pretty good drama.


Previous: Episodes 28 - 35
Next: Episodes 45 - 53



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